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SHOWBIZ TIME MAGAZINE P. 89     Cover of the Magazine    Table of Contents      Highlights                     Continues on Page 90
                                                              

Ladies of Jazz by Maximillien de Lafayette

JUDY NIEMACK

Judy Niemack is one of those rare super talented artists who create their own material, who write music and lyrics, and perform as world-class entertainers. Once a singer has defined her/his style and has become recognized by and recognizable for a particular style, only then, at that time in history, the singer transmutes and cements a place of honor in the annals of entertainment. Judy succeeded in establishing herself as such. This is a magnificent artist at so many level. Down Beat said: “If you want to know what real jazz singing can be (but rarely is) listen to Judy Niemack…She is a musician in the truest sense, having mastered her instrument (a beautiful one) and her chosen language and crafted her own style.” Sony Jazz recording artist Judy Niemack is a real jazz singer. Her delivery of lyrics is full of emotion and elegance, while in her scat singing she is a consummate musician, exploring the music like a virtuoso horn player. She comes out of the mainstream jazz tradition, while breaking new ground with original lyrics, arrangements and a modern approach to standards. Judy has a dual career as performer and vocal jazz educator. In addition to having her eighth CD as a leader released on Sony Jazz in 2003, her book & CD “Hear It & Sing It! – Exploring Modal Jazz”, was published by Second Floor Music and distributed by Hal Leonard in July 2004.Judy Niemack was born in Pasadena, California and began singing publicly at the age of 7 in church. Throughout her school years, she sang in every kind of vocal ensemble: madrigals, chamber choir, musical theatre productions, folk groups, rock bands, and eventually a vocal jazz quartet. When she was 17, she decided that singing was her life, and began to study classical voice with a teacher of “bel canto”. At 18, she heard and met the great tenor saxophonist Warne Marsh, and became fascinated by jazz and improvisation. She attended Pasadena City College, studying classical voice, and jazz improvisation with alto saxophonist Gary Foster. Continuing her classical studies for the next six years, while singing in jazz clubs at night, she studied at New England Conservatory in Boston, attended the Cleveland Institute of Music Opera Workshop, and, realizing that her true path lay in improvised music, returned to California to study vocal improvisation with Warne MARSH.

 

Judy is listed in the World Who's Who in Jazz, Cabaret, Music and Entertainment

Read about Ladies of Jazz: Carla White...Judy Niemack

Marsh taught her as he would teach a horn player. Her goal was to improvise as freely as a great jazz musician would, using all the vocal colors that her classical and jazz training had given her. In 1977, Ms. Niemack moved to New York City to pursue her career as a jazz vocalist. Her first major performance was a week at the Village Vanguard with Warne Marsh in 1978. Her first recording, “By Heart”, was released that year on Seabreeze Records. Since then she has performed in most of the major clubs in N.Y.C., including The Blue Note, Sweet Basil, Fat Tuesday’s, The Village Gate, Visiones and The Rainbow Room. She has toured the U.S. A. in concerts and festivals with several major jazz orchestras, including those led by Larry Elgart and Peter Duchin with whom she performed at the White House. She has given concerts celebrating the songs of George Gershwin, Cole Porter and Irving Berlin. Internationally, Ms. Niemack began by singing in Italy at the PISA Jazz Festival in 1982 and has since appeared in Austria, Belgium, Canada, Chile, China, Denmark, Estonia, Finland, France, Germany, Holland, Italy, Japan, the Philippines, Rumania, Spain and Poland. Judy is currently performing in jazz clubs, concerts and festivals in Europe and the United States. She now lives in New York City and Berlin, heading the Pop/Jazz vocal department at the Hanns Eisler Music Conservatory as Germany’s first Professor of Vocal Jazz. Some of the musicians she has performed with are: Toots Thielemans, David Byrne, George Benson, James Moody, Lee Konitz, Clark Terry, Dave Brubeck, Lew Tabackin, Warne Marsh, Gary Bartz, Kenny Barron, Billy Higgins, Cedar Walton, Ray Drummond, Joey Baron, Fred Hersch, Billy Hart, Victor Lewis, Kenny Werner, Hein van de Geyn, Jim Mc Neely, Joe Lovano, Adam Nussbaum, Jeanfrançois Prins, Kirk Nurock, Michel Herr, Steve Kuhn, Mark Feldman, Eddie Gomez, Harvie Swartz, Kirk Lightsey and the New York Voices.

Judy Niemack was born in Pasadena, California and began singing publicly at the age of 7 in church. Throughout her school years, she sang in every kind of vocal ensemble: madrigals, chamber choir, musical theatre productions, folk groups, rock bands, and eventually a vocal jazz quartet. When she was 17, she decided that singing was her life, and began to study classical voice with a teacher of “bel canto”. At 18, she heard and met the great tenor saxophonist Warne Marsh, and became fascinated by jazz and improvisation. She attended Pasadena City College, studying classical voice, and jazz improvisation with alto saxophonist Gary Foster. Continuing her classical studies for the next six years, while singing in jazz clubs at night, she studied at New England Conservatory in Boston, attended the Cleveland Institute of Music Opera Workshop, and, realizing that her true path lay in improvised music, returned to California to study vocal improvisation with Warne MARSH. Marsh taught her as he would teach a horn player. Her goal was to improvise as freely as a great jazz musician would, using all the vocal colors that her classical and jazz training had given her. In 1977, Ms. Niemack moved to New York City to pursue her career as a jazz vocalist. Her first major performance was a week at the Village Vanguard with Warne Marsh in 1978. Her first recording, “By Heart”, was released that year on Seabreeze Records.

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