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Ladies of Jazz Continued from Page 89
JUDY NIEMACK
Recent performances include: “Jazzkaar” Festival (Estonia), “Jazz sous les Pommiers”, Avignon Jazz Festival, ALBI Jazz, Le Mans, Calvi Jazz Festival, Jazz A Cluny (France); Middleheim Jazz Festival, Concert with Toots Thielemans at the “Botanique” Brussels Jazz Rallye (Belgium); “Save Venice Ball” (Italy); W.D.R. Big Band with Jim Mc Neely, Hessicher Rundfunk Big Band, and RIAS Big Band (Germany); Tour in Japan with Ronnie Mathews, Albert “Tootie” Heath, and Ray Drummond; New York’s Blue Note Jazz Club; Stanford Jazz Festival (USA). Ms. Niemack has written and recorded several of her own compositions (You’ve Taken Things too Far, Wondering, Ice White Blues…), and has written original lyrics to many other musicians’ compositions, becoming an official lyricist for: Pat Metheny (It’s Just Talk), Thelonious Monk (Misterioso), Lee Konitz (Round & Round & Round, Chick Came Around), Bill Evans (Interplay), Clifford Brown (Daahoud), Don Grolnick (Talking To Myself), Mike Stern (Choices), Larry Schneider (Tomato Kiss), Kirk Nurock (Rain, Silence of My Soul, Moving On, Love Finds A Way), Jean-François Prins (New York Stories, Love Will Grow), Steve Slagle (Tudo Muda, Just For Now), Richie Beirach (Leaving), Richie Powell (Time). Judy Niemack is very active in the world of jazz education, and has given master classes around the world in conjunction with her tours. In the U.S.A., she has given workshops and lessons at the New School for Jazz, (N.Y.C.) William Patterson University (N.J.), University of NewYork at Purchase (N.Y.), Long Island University and NewYork City College. She also has taught in Finland : Sibelius Academy of Music, Poland: Summer Vocal Jazz Camp, Belgium: Dworp Summer Jazz Workshop, Royal Conservatory Antwerpen, Germany : Berlin Hochschule Der Kunste, Hochschule für Musik Hanns Eisler, Bujazz-O Big Band Workshop, Munich PrinzregentenTheater, Inzighoven Vocal Jazz, Holland: Conservatories in Den Haag, Rotterdam, Hilversum and Arnhem, Denmark: Copenhagen Rhythmic Conservatory, AARHUS Jazz Program, Italy: Pisa Jazz Vocal Workshop, Spain: ESMUC Music Conservatory-Barcelona, Musikene Music Conservatory-San Sebastian. From September 1993 until June 1995, she was on the Jazz Faculty at the Royal Conservatory of Antwerp, Belgium, and a Guest Professor at the Royal Conservatory of The Hague, Holland. From September 1994 until June 1996, she was Professor of Vocal Jazz at the Royal Conservatory of Brussels, Belgium. In Oct. 1995, she became the first Vocal Jazz Professor in Germany, leading the Vocal Dept. of the Jazz and Popular Dept. of the Hanns Eisler Music Conservatory in Berlin. Every summer since 1990, she has been on the faculty of the Janice Borla Vocal Jazz Camp in Chicago, Illinois. Sept. 2003-present: Professor of Vocal Jazz, Musikene Conservatory, San Sebastian, Spain. Press quotes: “A jazz singer with a perfectly glorious voice!” Bob Harrington, New York Post. “She combines the best of both worlds; a cabaret singer’s respect for the melody as written and a jazz singer’s eagerness to have a go at it.” Francis Davis, Village Voice. “...she is a most accomplished singer, displaying a relaxed, assured delivery; impeccable diction; dead-sure pitch; an inviting, slightly moist timbre; skill at scatting and melodic improvisation; and ability to communicate the message of the lyric.” Tex Wyndham, West Coast Rag. “...a musician’s musician. Her creative odyssey provides a fascinating illustration of the high road to mastery that transcends the limitation of genre...” K. Leander Williams, Down Beat. “This lady can really sing!” Norman Simmons, pianist for Joe Williams. “Good jazz singers bring their own special construction to each tune they sing. To this they add the skill of improvisation without destroying the meaning of the lyrics and, above all else, they sing in tune; OK, meet Judy Niemack – jazz singer!” Barry McRae, Jazz Journal. “Vocalist Judy Niemack never veers from her path as she leads you through an ethereal labyrinth, exploring dark harmonies, classically-tinged jazz melodies and shifting rhythms...Her dynamically delivered three –octave vocals soar above superb accompaniment...” Nancy Ann Lee, JazzTimes “…one of the most versatile and provocative singers...with a keen jazz sensitivity.”
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John. S. Wilson, New York Times. “She puts over a tune with passion and singular phrasing. She slaloms with streamlined precision through tricky be-bop lines and changes. She twists, turns, scats, leaps and bounds with Olympian grace....displaying admirable control, balance and understatement.....Classy.” G. Kalbacher, Hot House. “Exquisite intonation, tasteful interpretations and improvisations guided by a sensitivity for dynamics....” Leslie Gourse, JazzTimes. “Her level of performance is extremely high...she endeavors both to get inside the lyrics and explore the chord structure, as do all true jazz singers.” Peter Gamble, Jazz Journal. “To my mind, Judy Niemack is one of the best, and purest jazz singers ever. Besides a voice with the clarity of a mountain stream, accuracy of pitch and time that is a wonder to hear, perfect diction and sensitivity to lyrics, she has a disciplined improvisational gift that makes her scat-sung lines music…” S. Chamberlain, L.A. Jazz Scene “You need have no reservations about Judy Niemack, a young veteran of the New York club scene who epitomizes the term “jazz singer”. Niemack’s swing, savvy scatting and dead-on intonation allow her to improvise solos that seem more horn than voice....her way with a lyric will warm the hearts of both romantics and musical adventurers as she tames tough jazz lines written for saxes, not singers.” Neil Tesser, Playboy Jazz. “Judy has an inner sweetness to her voice....and a jazz edge. The combination is effective. She’s musically sophisticated. She befriends the pulse and interacts with jazz musicians well. She draws from feelings and experiences, using melodies by jazz composers- some of them quite challenging- as her basis for creativity...” Burt Korall, International Musician. “Niemack sings sprightly and thrillingly as an oriole, with a rich, firm tone and light vibrato...(she) scats better then nearly everyone; she’s really one with the band..” Down Beat “Judy Niemack digs deeply into the innards of the compositional body eclectic and makes no detectable missteps; She crosses her Rubicon with the grace and confidence of those who know just where the shallows are and, therefore, appear to walk on water...” Alan Bargebuhr, Cadence. “To hear Judy Niemack’s immaculate delivery of poetic romance and lilting spirit from the classic American songbook is to believe she was weaned on it.” Stuart Troup, New York Newsday. “provocative…whether she is scatting or using lyrics, making good use of her sparkling high notes…” John Wilson, New York Times. “Niemack has a beautiful voice and a wide range; she sounds wonderful...” L.A. Jazz Scene. “Niemack has her act together!...She has a lustrous voice that can go very high and holds its pitch...” R. Orgill, The Record, New Jersey. “Her taste is impeccable. She has a dead-center emotional honesty. There is a wide range of self-expression, if that kind which is possible only when the instrument is under complete control.” Harry Schroeder, Island Life. “Ms. Niemack has a gorgeous voice ...she proved herself a worthy torch singer with “Body and Soul”. Corpus Christi Caller. “Monk’s “You Know Who (I Mean You)” spotlights some tricky vocal leaps and bounds, as Niemack hits each note with crystalline precision, and Waldron’s “Soul Eyes” evokes warm expressive shading reminiscent of Ella Fitzgerald.....” Jazziz Magazine. “Niemack has a skillful and original talent that is just beginning to be recognized by jazz and popular music critics. Her sense of pitch is poised, her timing nonchalantly perfect and she has the knack of interpreting a lyric that belongs to the first rank of singers.” Gramophone “...with a voice as well suited to the Broadway stage as a small nightclub, Niemack’s personalized statements over haunting melodies mandate a badly needed trend for current jazz-based vocal music” Rozzi, No Name Jazz News. “…Her voice evokes a blend of innocence and worldliness...breathtaking... Niemack’s wiliness and wit emerges in the repertoire as well as her sassy delivery...she is one who clearly selects material that captures her heart and mind...” Deni Kasrel, Jazz Time. “It is difficult not to be impressed by Judy Niemack, who has a very appealing voice with a wide range, the ability to express a wide range of emotions; plus, she swings, indulges in chance-taking improvisations, and writes her own lyrics to the melodies of jazz classics.” Scott Yanow, “All Music Guide to Jazz. Source: Text from the World Who's Who in Jazz, Cabaret, Music and Entertainment. |